Chapter 51 · Getting Work In and Out
Watermarked Drafts and Revision Stars
Some drafts need to say who they were for, and some need to say what changed. The Export menu has one PDF for each job: a watermark that stamps a name across every page, and a revision export that puts an asterisk in the margin beside every line you have rewritten since a saved version. This chapter covers both, what they mark, and the places they stay silent.
Two stamped PDFs
Both live under Export ▾ at the top right of the editor, below the ordinary typeset entries described in Chapter 50:
| Entry | Who sees it | What it adds |
|---|---|---|
| Watermarked draft PDF… | Anyone who can open the document, including collaborators on a share link | A line of text printed diagonally across every page |
| PDF with revision stars… | The owner only | An asterisk beside every changed line, and a revision name on the pages listed under The revision name |
Each one builds the same typeset PDF as Typeset PDF (.pdf), with the extra marks drawn on top. The pages break in exactly the same places, so a watermarked copy and a clean copy of the same draft have the same page count and the same page numbers. Like every typeset export, both save your latest edit first and build the PDF from the server's copy.
Watermarking a draft
- Choose Export ▾ → Watermarked draft PDF…
- A box asks for the Watermark text, filled in with
DRAFT. Replace it with whatever the copy should carry: a reader's name,FOR JANE SMITH ONLY, orNOT FOR DISTRIBUTION. - Confirm, and the PDF downloads under the document's title.
The text prints in large, bold, light grey capitals as you typed them, turned 45 degrees and centred on the page. It sits behind the writing, so the script stays readable through it. It prints on every page, including a screenplay's title page and a play's cover, cast page and musical numbers.
Keep it short. Storskarvia keeps the first 40 characters and drops the rest, and at that size
about 25 capital letters is the most that fits between the edges of the page. A longer line runs
off both sides and loses its first and last letters. FOR JANE SMITH ONLY, at 19
characters, fits with room to spare.
If you clear the box and confirm, you get a plain typeset PDF with no watermark. Cancelling makes nothing.
One watermark per copy. When the same draft goes to three readers, export it three times with three names; the downloads share a file name, so rename each one as it arrives.
Revision stars
Revision stars need something to compare against, so save a named version at the moment a draft goes out: Versions ▾ → Save version…, with a name like "Draft sent to producers". Chapter 7 covers versions in full. When the rewrite is done:
- Choose Export ▾ → PDF with revision stars…
- A box headed Mark everything changed since which version? lists your nine most recent versions, newest first, each numbered, with its name and date. Automatic checkpoints appear as checkpoint. Type the number of the version the readers last saw.
- A second box asks for the Revision name for the header, filled in with
today's date. Type the name productions use, for example
Blue 7/6, or keep the date. - Confirm, and the PDF downloads.
Only the nine newest versions are offered. Automatic checkpoints count toward the nine, so on a busy day the version you sent a week ago can drop off the list. Naming the version when the draft goes out is what keeps it findable.
What earns a star
Storskarvia compares the text of each paragraph now with every paragraph in the version you picked. A paragraph whose text did not exist in that version gets an asterisk in the right-hand margin, beside its first line. In a script or a play, that means each scene heading, stage direction, action paragraph, character cue, parenthetical, lyric and line of dialogue is judged on its own, so rewriting one speech stars that speech and leaves its cue unmarked. The lines inside a dual dialogue pair, or a play's simultaneous dialogue, are judged one by one the same way. In prose, each list item, each paragraph of a block quote and each table row is judged on its own. Spacing differences are ignored.
The comparison works on words, which has consequences worth knowing before you circulate:
| Change | Starred? |
|---|---|
| A line rewritten, or a new line added | Yes |
| A line deleted | No. It is gone, so there is nothing to put a star beside |
| A line moved to another scene, unchanged | No |
| Bold, italics, or a change of element type with the same words | No |
A new line whose words match a line anywhere in the old version, such as a second
Yes. | No |
| A line edited inside a dual dialogue pair or simultaneous dialogue | Yes. The two speeches share rows, so when both sides change on the same row, that row gets one star |
| A list item, block quote paragraph or table cell edited in prose | Yes. A table row prints as one line, so editing any cell stars the row. A list nested inside an item prints on its parent item's line, so editing it stars that line |
If your notes included cuts or restructuring, say so in the covering email. The stars show what was written, and they cannot show what was taken away.
A screenplay with a production revision issued already stars the lines carrying that revision's mark, in every typeset PDF, alongside any stars from this comparison. Issued revisions and coloured pages are covered in Chapter 17.
The revision name
The name keeps its first 24 characters and prints as Rev. Blue 7/6 in small type
at the top left of the page. Where else it goes depends on the format:
| Document | Where the name prints |
|---|---|
| Screenplay | Every script page, and, when the script has a title page, as
Revision: Blue 7/6 at its foot, after the contact line |
| Stage play | Every page of the play, on the page-number line, and as
Revision: Blue 7/6 at the bottom left of the cover, above the copyright when
there is one. Each moves up a row at a time until it clears the contact line beside it by a
quarter inch, so a long contact block can push them higher. The cast page and musical numbers page do not carry
it |
| Novel, audio drama, video script | Every page, one line below the running head. On front matter, which has no running head, it takes the head's line |
The screenplay title page footer is a single line of up to 70 characters, contact and revision together, so a long contact line can cut the revision name short there.
Which formats honour them
| Document | Watermark | Stars | Revision name |
|---|---|---|---|
| Screenplay | Yes | Yes | Yes |
| Novel, audio drama, video script | Yes | Yes | Yes |
| Stage play | Yes | Yes | Yes |
A stage play has its own typesetter, described in Chapter 19. It draws the same watermark, the same stars and the same revision name, and none of them moves a line, so a stamped play keeps the page numbers of the clean one.
Neither mark can be added to Manuscript for submission. An agent's reading copy should be clean anyway.
When it goes wrong
| What you see | What happened |
|---|---|
| No PDF with revision stars entry | You are a collaborator. Only the owner can compare against the owner's versions. |
| A message saying there are no saved versions to compare against yet | The document has no versions on Storskarvia. Save one from Versions ▾, make your changes, then export. |
| No versions, on a document with zero retention | Versions made while zero
retention is on live only in the .versions/ folder in your storage, and this
export can only read versions Storskarvia holds. |
| You typed a number and nothing happened | The number did not match a listed version. Choose the export again and type one of the numbers shown. |
| Not exported: Version not found | That version no longer exists. Automatic checkpoints are pruned to the twenty most recent. Pick another. |
| The Rev. line printed but no stars | No paragraph's text changed since that version, or every change was one of the unstarred kinds above. Check that you picked the version the readers last saw. |
| The watermark is missing its first and last letters | The text is too wide for the page. Shorten it to about 25 capitals. |
A PDF is for reading. When the next person needs to edit the draft, send them a file they can open in their own software: Word, Final Draft, Fountain or plain text, which the next chapter covers.
Updated 2026-09-27 · Full contents · Something wrong or missing?